Thursday, 15 October 2015

9.15 - Welcoming Addresses

9.30-10.30 - Archduke Ferdinand and His Musical Parnassus

• Vanja KOČEVAR (Ljubljana)
  Archduke Ferdinand of Inner Austria: From an Insignificant Prince on the Periphery of the Holy Roman Empire to Emperor and a Central Figure in Early Seventeenth-Century’s European Politics

• Metoda KOKOLE (Ljubljana)
  Archduke Ferdinand’s Musical Parnassus in Graz

*coffee*

 
11.00-12.00 - Ferdinand’s Musical Repertoire

• Marina TOFFETTI (Padua)
  From Milan to Graz: Milanese Composers in the Parnassus Musicus Ferdinandaeus
  

• Klemen GRABNAR (Ljubljana)
  Pietro Antonio Bianco’s Missa Percussit Saul mille: A Musical Souvenir in Graz of Archduke Ferdinand’s Visit to Itay

*lunchtime break*

14.30-16.00 - The Musical Establishments of the Polish, Bavarian, and Transylvanian Courts

• Barbara PRZYBYSZEWSKA-JARMIŃSKA (Warsaw)
  Music-Related Contacts Between the Courts of the Polish King and the Archdukes of Inner-Austria (1592–1619) and the Dissemination of musica moderna in Central and East-Central Europe

• Britta KÄGLER (Munich)
  An Italianate Court Chapel? Foreign Musicians at the Ducal Court of Munich at the Turn of the Sixteenth Century

• Peter KIRÁLY (Kaiserslautern)
  Foreign Musicians at the Transylvanian Court of Sigismund Báthory

*coffee *

 16.30-17.00 - The Habsburgs

• Michaela ŽÁČKOVÁ ROSSI (Prague)
  “[…] questo Bassista è buona persona […]”: The End of the Imperial Musicians’ Service

• Tomasz JEŻ (Warsaw)
  The Music Patronage of Habsburg Family in Jesuit Silesia

CONCERT at 20.00

Friday, 16 October 2015

• Aleksandra PATALAS (Cracow)
  G. B. Cocciola’s Presence in the Parnassus and His Activity in the Polish-Lithuanian Commonwealth

• Herbert SEIFERT (Vienna)
  Giovanni Sansoni (c. 1593 Venice?–1648 Vienna): Cornettist, maestro dei concerti and Composer in Graz, Venice and Vienna

• Katharina ABERER (Basel)
  The Music of Bartolomeo Mutis, Conte di Cesana

*coffee *

11.00-12.30 - The Music of the Parnassus Musicus Ferdinandaeus (1615) and Related Collections

• Joachim STEINHEUER (Heidelberg)
  Parallel Settings in the Parnassus Musicus Ferdinandaeus

• Domen MARINČIČ (Ljubljana)
  Basso Continuo Notation in the Parnassus Musicus Ferdinandaeus

• Chiara COMPARIN (Padua)
  Antonio Gualtieri’s Il secondo libro de mottetti a una e due voci (Venice, 1612) and Sacred Concertos for Few Voices and Basso Continuo on the Territory of the Veneto at the Beginning of the Seventeenth Century

*lunchtime break*

• Rudolf FLOTZINGER (Graz)
  A Monastic Parallel to the Parnassus Musicus Ferdinandaeus

• Jana BARTOVA (Bratislava)
  Speer’s Arrangements of Cozzolani’s Solo Motets and the Role of Compulsory Musical Instruments in the Development of Small-Scale Sacred Concertos

• Martin FIALA (Steyr)
  P. Sebastian Ertel and His Sacred Works (1611-1617)

*coffee *
 

17.00-18.00 - The Era of Travelling Music and Musicians

• Stanislav TUKSAR (Zagreb)
  Giorgio Alberti, Thomaso Cecchini and Ivan Lukačić within Split Musical Culture of the Early Seventeenth Century

• Vjera KATALINIĆ (Zagreb)
  Vinko Jelić (1596–after1636) and Ivan Lukačić (1575?–1648): Two Migrants Between Mediterranean and Central Europe

CONCLUSION AND END OF CONFERENCE


ABSTRACTS